

He actually feels like he needs people to protect him from himself even though he causes widespread damage to others without any real introspection:

:format(webp)/http://s3-ap-south-1.amazonaws.com/wynk-music-cms/srch_universalmusic/music/1501689654/srch_universalmusic_00602557830828-USIR10312186.jpg)
He has no control over his own emotions and impulses and is super concerned about what people think about him:

He feels again like a unique victim but he can never take responsibility for mistakes: He is a lonely person who reacts violently and disproportionately to perceived criticism and ruminates on the things that offend him: This song perfectly sums up Donald Trump: -He's always a victim he knows he's a bad man, behind those blue eyes who is, somehow, involuntarily fated to telling only lies (even though he knows very deep down that it's wrong- he does have a conscience): I read along time ago, the inspiration for the villain character, and for the lyrics, was some record executive (who I guess Pete did not think much of), but once he read the lyrics back to himself, he was surprised to find the lyrics reminded him of himself as much as the record executive. It is not about nazis, being gay, or drugs. But the songwriter's intended meaning of the lyrics when he wrote the song, is what is listed above. Like any song lyrics, how you interpret it is up to you, or it may have a special meaning for you, and that is all good. The "behind blue eyes" refers to the thoughts and feelings of the villain, in his head, behind his eyes. It is written from the point of view of the "villain" character (from the story that compromises the "lifehouse project"), showing even bad people have emotions like the rest of us. Of course, a great deal of that aborted project would end up on the album "Who's Next", including this song. An early solo acoustic demo of the song appeared on Townshend's collection of home recordings, Scoop, and while Pete does well with the song's quiet buildup, his inability to recreate the passionate explosion into the third verse says a great deal about why an artist of such strong personal vision was willing to remain a member of a group - it says a great deal about what he could do within the boundaries of the Who as opposed to what he could do all by his lonesome.The song "Behind Blue Eyes" was originally part of Pete Townshend's "lifehouse project", which was shelved.
#The who behind blue eyes mp3 full
Keith Moon's drums finally burst onto the scene, Townshend's electric guitar wails at full force, and Entwistle's bass roars at full velocity as Daltrey finally addresses his subject at full volume and with a full reserve of venom, though what he demands in his fury is to be put back in check - "When my fist clenches, crack it open/Before I use it and lose my cool/When I smile, tell me some bad news/Before I laugh and act like a fool." "Behind Blue Eyes" showed that the Who had learned some very valuable lessons about the importance of dynamics and the contrast of it's quiet and loud passages were the perfect counterpart to Townshend's lyrical reflection on tension and release. The performance conjures the image of a man desperately holding himself back from an explosion of anger and wrath, and a little more than two minutes in, the dam finally breaks. The recording starts out with a minor-key melody being gently picked out on an acoustic guitar, and Roger Daltrey, with the clear voice of a schoolboy, singing "No one knows what it's like/To be the bad man/To be the sad man/Behind blue eyes." Soon John Entwistle's bass comes in, but as subtle punctuation, without his usual dive-bombing fretboard runs, and while some beautifully executed harmonies support Daltrey's vocal, a barely controlled rage seethes beneath the surface of his performance without fully breaking through.
#The who behind blue eyes mp3 how to
While the Who had on occasion displayed the ability to quiet themselves when the circumstances dictated (particularly on Tommy), for the most part they were still best known of the bash-and-crash amphetamine overdrive of their live show and such singles as "My Generation" and "I Can See for Miles." However, "Behind Blue Eyes" showed that the band had learned how to generate tension and drama through other means. On Who's Next, the song had to stand alone as a meditation of one man's dual nature, and the result was one of the most powerful and mature performances on the album. Like most of the songs on the Who's 1971 classic Who's Next, Pete Townshend originally wrote "Behind Blue Eyes" for his ambitious (and long uncompleted) multimedia concept piece Lifehouse, and in that context, the song was meant to reflect the thoughts of the villain of the piece, who was forced to subsume his more noble impulses in the service of corrupt power structure.
